Monday, November 28, 2011

Death of Marilyn Monroe Analysis/Annotation (LONG BLOG!!!!)


In the historical remembrance poem, Death of Marilyn Monroe, by Sharon Olds is the recounting of the day Marilyn Monroe was pronounced dead and the reactions of the ambulance men who were forced to carry her cold body away forever. Although no initial evident rhyme scheme is found in the poem, there is significance and symbolism flowing through each line.
The opening is the most descriptive and realistic section of the entire poem. It describes Marilyn as completely lifeless, and cold. Not the warm and sweet Monroe that the public and media know but a woman that lies there helplessly. “…tried to close the mouth, closed the eyes, tied the arms to the sides, moved a caught strand of hair, as if it mattered,” this quote sets the melancholy and hopeless tone for the rest of the poem.
Olds introduces the ambulance men into the poem by continuing to describe the horrifying scene of the dead Marilyn Monroe. The detail that is provided allows the reader to truly understand the scars and issues the men will experience later down the road because of this single incident. It describes Monroe’s body as being “heavy as iron” and the line, “the shape of her breasts, flattened by gravity” would be symbolic of the body being found face down, on her stomach.
The next line of the poem is my favorite because it reminds me of a scene in a movie. Imagine a crime scene taking place and as they are lifting the body onto the stretcher the screen suddenly, in the same frame, the screen blinks to flashbacks of this person’s life. It goes back and forth between the glorious, lively past and the terrifying, truthful present. The line reads like this, “under the sheet carried her (ambulance men), as if it were she, down the steps.” This line symbolizes Marilyn Monroe’s grace, beauty, and liveliness during her lifetime. I can imagine the men feeling very vulnerable and fragile as they carry the dead body of America’s sex symbol and showgirl. The caution they must carry the body with and the elegance they must possess within themselves as they descend the stairs, as if Marilyn was walking right beside them, holding her own.
The best part about the poem is the depiction of the aftermath the ambulance men experienced following the death of the lovely Monroe. If it weren’t for the title of the poem, the reader may have never known that the poem was referring to Marilyn Monroe’s death. Although it does give a brief of the death scene, the poems main focus is on the men not the woman. The woman is dead and lifeless in a literal sense but the men have the life sucked out of them figuratively. The next line begins with “these men were never the same” and then elaborates on each man’s struggle following the death scene. It is their job to recover and move on with their lives, so why couldn’t they?
“One did not like his work, his wife looked different, his kids. Even death seemed different to him – a place where she would be waiting…” Let’s focus in on the idea of death and how it can possible seem different to this particular ambulance man. Oxford English Dictionary first defines death as “the act or fact of dying; the end of life.” Next the dictionary defines death as “the final cessation of the vital functions of an animal, plant, or individual.” Now how could a definition that seems so simple be so hard to grasp? How could “the end of life” even begin to be viewed as differently than what it is? Let’s put it in today’s terms for analysis’s sake. Let’s take September 11th for example: if you lived in New York and heard of this terrible tragedy, then you walked outside of your apartment and saw the twin towers falling, would that not have an effect on you? Or maybe you were a firefighter on call that day, or a radio tower operator, would your life not be changed? It is the significance of the event that changes a person’s perspective, it is the real life experience that changes their attitude, and it is the “life flashing before your eyes” experience that makes you take a step back and look at life situations differently. These men had no idea what they were about to see, but the toll it took on them was an emotion they would never forget, an emotion evoked from the reader that makes this poem memorable.
The most effective part of the poem would be the elaboration provided throughout. The author makes sure that the reader fully grasps the horrific crime scene so that as the poem continues on, the reader will be emotionally drawn in. Olds does a great job at tapping into the reader’s pathos and making sure that it sets the mood for the entire poem.
The second thing that I find interesting about this poem is the intense focus on the ambulance men that have to remove the body. Yes, it is sad that Monroe has passed on but it is worse that these men have to live with the image for the rest of their life. The author does a nice job at setting the scene but uses that to her advantage as the poem comes to a close.
Next is the fact that the poem is a free verse poem. After reading it over and over and trying to analyze it to the best of my ability, I cannot find any particular rhyme scheme that happens during the poem. Olds does a fantastic job of telling a story that it is easy to forget that it is supposed to be a poem. Although the poem can be described as pattern-like, containing five grammatical sentences arranged into twenty-six lines and divided into four verse paragraphs.
As a reader, we must keep in mind that without the title, “Death of Marilyn Monroe,” we would not have a clue which celebrity Olds was referring to unless we knew exactly how Monroe died. Without the title of the poem present, there would be no apparent sense of time and no significant importance to the person who died that tragic day. For all we know, it could have been a husband who just lost their wife who he cared about very much and to handle his anger he decides to sit down and write a poem that just so happens to get published. The only line that implies that it is someone of real importance is “carried her, as if it were she, down the steps” which could signify an important historical figure or celebrity. So why does the author not go into great detail? In my opinion, it is to provide a greater sense of prominence and meaning behind each line. It is considered a historic remembrance poem not only because it describes the death of the great Marilyn Monroe, but because it urges the reader to research and desire to find out more about what is truly behind each line.
Lastly, the focus is shifted to the last four lines, “In the doorway to a room of sleep, listening to a woman breathing, just an ordinary woman breathing.” There is great significance to these concluding lines of the poem, sure it is referring to the final ambulance man’s aftermath, but there is an underlying message and placement of the word “breathing.” In the introduction, the poem began with death yet concludes with a form of life. This minor detail puts emphasis on the beauty of living and the contrast between Marilyn Monroe’s dead body and this woman’s lively one. This proves that it does not matter whether you are the most famous person in the world, or just an ordinary individual that gets up and goes to work each day with no one even knowing your name, life comes to an end. By the end of the poem, we can respect the different stages of emotions the men experienced and can appreciate the gift of life that much more. The sounds of a breath must sound different to that particular ambulance man, the luxuries of life must look different, and he has to accept that life may not look the same for a long time.
Overall, the poem was very easy to understand and connect with. The one issue that I have noticed in poetry, especially in free verse, is the lack of grammatical guideline. I feel like a lot of poems like this have to be read over and over again before you can begin to analyze them because common comma placement fails to exist. Somehow it does not qualify as a story that can simply be written out in a paragraph because the author writes the poem with the intention of a specific rhyme scheme, even if the reader cannot initially understand. On the surface, this poem is nothing more than a recounting of events that happened to three random men after another famous person dies. But looking within, the author’s purpose is slowly unraveled as we read each line.
                                                             
                                                        References
Home : Oxford English Dictionary. Oxford University Press Copyright © 2011Oxford University Press. Web. 28 Nov. 2011. <http://www.oed.com/view/Entry/47766?rskey=We5W7D>.
Olds, Sharon. ""Death of Marilyn Monroe"" Redirect to Teaching Writing with Computers. Web. 28 Nov. 2011. <http://cai.ucdavis.edu/gender/oldspoem.html>.
"The Death of Marilyn Monroe Summary - Sharon Olds - Masterplots II: Poetry, Revised Edition." ENotes - Literature Study Guides, Lesson Plans, and More. Web. 28 Nov. 2011. <http://www.enotes.com/death-marilyn-monroe-salem/death-marilyn-monroe>.

Wednesday, October 26, 2011

The End. (Reflective)


After finally getting to the end of The Road I do not really feel that surprised. Don’t get me wrong the ending is very depressing and heart wrenching but it was almost expected. Throughout the entire book the father’s death was foreshadowed through the constant (and consistently getting worse), cough. The turning point in the book, when I realized that we were losing the father, was when he began to cough up blood. I’ve seen enough movies and dramas where the main character begins to violently cough up blood to come up with the conclusion that blood is BAD. So although the end of the book leaves the reader sad that the relationship between the father and son has been destroyed by death, we are relieved and hopeful when the boy finds the “family” at the end that is willing to take him in.
Now at the very end of the novel when the boy walks out into the road for the first time and is confronted by the older man, I thought his life was over as well. Throughout the whole book the father was trying to teach his son the new “right and wrong” and how to follow the new norm of survival of the fittest but when the boy was found, my heart sunk. As the reader, it is in our nature to assume the worst in the situation. One thought kept running through my mind, “No! Don’t do it. What if he is the bad guy??” But the boy decided to take a cautious chance and in his innocence, went with the man. Although we do not know exactly what happened from that point on, we assume by the last few sentences that he is safe and continuing to grow in the deformed world.
Overall, The Road was a well written novel with a scary but outstanding message. It makes the reader really reflect on their morals and ability to think on their feet. It was very easy to get wrapped up in the story and constantly ask the question, “Well…what WOULD I do?” Although the style of writing was drastically different and it appeared that dialogue did not exist, it kept the reader interested and focused so that they could understand which character was speaking. The small amount of characters allowed us to become emotionally attached and explore the struggles of each person. The author could have taken many different approaches to writing a book about post-apocalyptic times but the structure and the idea of a true father-son relationship made The Road a success. This is definitely a book I would recommend to anyone outside of class because for Christians it will challenge their perception of the world and for non-Christians it will (hopefully) push them to question life after death – physically, spiritually, and emotionally.

Wednesday, October 19, 2011

Decisions, Decisions (Problematize)

The most challenging part about The Road up until this point in the book is the ethical issues between the father and the son. We see this beautiful relationship develop between the two that can be viewed from a biblical standpoint; the father’s love for his son is undeniable and something completely and totally beautiful. Despite the unbreakable bond the two have, ethical issues still arise throughout the book. Every time they stumble across a person who is reaching out for help, the father demands the son to keep moving despite the desire to stop and help. The best example in the book is when the father and son find an old man traveling down the same road on page 161. When they approach him the son does his pleading routine in hopes that the father will stop and help just this one time and to the readers’ surprise, the father finally gives in. It always seems to boil down to “run and survive” or “stay to help and potentially get caught.” Are they supposed to give up their chance to live for someone else’s sake? In a world that is already broken and destroyed, is it ethical to walk away from a situation where another person is crying out for help? This text is a huge challenge to the way we live our lives today; what extremes would we go to in a post-apocalyptic society? Not only do we have to consider servant leadership, we also have to consider situations beyond the typical daily challenges. The text explores the idea of cannibalism, suicide, and selfishness evolving in this so called “new beginning.” The Road goes beyond the idea of questionable circumstances and reaches a whole new level of ethical issues that we must evaluate in our faith especially while we are at Southeastern.
Situation: We are stuck in a post-apocalyptic world, the food is already scarce and we are starving. Do you take on the role of the “good guy” or the “bad guy?” In this moment, everyone would most likely answer “I would never eat a person!” or “I have a tight grip on my ethical stance, I know I would fall under the category of “good guy” just like the father and son.” But suddenly the world changes and you cannot find food to save your life, you are becoming so sick you can barely make it through the day, and you can no longer trust anyone. Which morals are easily thrown out the window? How many people would actually stay strong through it all? We say that suicide is wrong, but we are going to die anyway. We say that cannibalism is appalling, but is impossible to survive without food. I would bet that less than 50% of people in our class would decide to persevere when this unimaginable world is brought to life and everything we’ve ever known is completely flipped upside down.  Where do you stand?

Wednesday, October 12, 2011

Once upon a time there was a father and his son... (Annotation)

The Road by Cormac McCarthy is about the struggles of a father and son as they try to survive in a post-apocalyptic society. If we think about the typical relationship between father and son today it might go a little like this: the father wants to be a good influence on his son, he makes sure he grows up with steady morals, and love in his heart. The father usually plays ball with his son when he is young with high hopes that he will grow to be a star athlete, but ultimately he wants his son to be happy. While the son is young, he usually becomes attached to his father and strives to be like him. As he gets older, the son may become more distant and independent from his father. In a typical father-son relationship disagreements are expected to happen and strains begin to push the son towards his own freedom, this is not the case in The Road. Janet Maslin of the New York Times describes the relationship best, “The father’s loving efforts to shepherd his son are made that much more wrenching by the unavailability of food, shelter, safety, companionship or hope in most places where they scavenge to subsist.” This relationship between the father and son surpasses the norm in the twenty-first century.
Although the reader does not know the son’s age, because there is no sense of time, we can assume that he is still a young boy. He is small enough that the father, in his own weakness, is still able to carry the boy when times get tough. Yet it is evident that the boy is old enough to experience fear, ask questions about the past, and challenge his father on decision-making. One simple word sticks out to me in all of the conversations between the father and son, “okay.”
From the very beginning of the book whenever disagreement is evident between the father and son, one of them always relents, whether they want to or not, with one word: “okay.” Whether it is convincing or sincere is up to the reader to decide based on the context of the word in that chapter. Regardless, it is a word that always pops up in conversation and somehow seems to play a significant role in the dialogue.
Oxford English Dictionary defines okay as an adjective, “all correct, all right, satisfactory, good; well, in good health or order. Another definition (verb) is “to endorse, esp. by marking with the letter ‘OK’; to approve, agree to, sanction or pass.” If we look at the word at its surface we see that it is just a term of reassurance that everything is in good order, but in The Road it breaks the norm of the use of the term in the 21st century because the reader knows that everything is not alright.
The beginning of the book is where we see the first example play out on page ten and eleven when the boy asks his father what he would do if the boy died. The very last word of the dialogue is when the boy responds with “okay.” It would be very easy for the reader to miss out on the importance of this term because it is the first time we see it appear in the text. Next, on page forty three when the father and son are discussing the bareness of the road the son responds with “okay.” There are a total of thirteen instances so far where the only response the boy gives to his father is “okay,” and is usually occurs at the end of the dialogue. In the text, “okay” is ironic because the reader recognizes that everything they are going through is far from okay and that the struggles they experience could potentially be the end of their life. We have to assume that the term “okay” in the story is not one of endearment and understanding but of acceptance regardless of whatever trials the father and son must go through. The boy begins to understand but fear still overcomes him in most circumstances. The “okay” is implying that the father and son will keep fighting for their lives as long as possible. But how much longer will the son be able to respond with this term without reality catching up to him and overwhelming him with a desire to give up? How can the father prevent this from happening?


Works Cited
Maslin, Janet. http://www.nytimes.com/2006/09/25/books/25masl.html. September 25,2006. Online. October 12, 2011.
McCarthy, Cormac. The Road. 2006.

Wednesday, September 28, 2011

The Story of the Quilt...(Creative)


The topic was brought up in class that the quilt is very symbolic in the story Everyday Use. The following two poems are comparing the life of the quilt in Maggie’s home versus Dee’s home with an elaboration on the story. The two questions that must be kept in mind are, “where does the quilt find happiness?” and “how is it symbolic in the story?”

Dee’s Home
The quilt sits there all alone
Staying still, unmoving in Wangero’s home
Why did you go and change your name?
What were you looking for? Fortune and fame?
Why is it you that deserves the quilt?
Simply because compared to Maggie you walk on stilts?
Always loving in your mothers eyes
But the way you dress reveals the lies
You never cared for anyone but yourself
Who will be there when you call for help?
You use that tone, the one that seduces
But this time your mama sees through the excuses
The quilt is Maggie’s but you will fight
And when you don’t get your way, you find yourself in a plight
You beg, you plead but to no avail
It goes to the one who will wear the veil
In Dee’s home the quilt lies untouched
It does not really amount to much
That is why you did not get your way
Luckily, Mama saved the day


Maggie’s Home
In Maggie’s house you feel secure
Never finding yourself anywhere obscure
Dee is jealous so it is said
But here the quilt lies on the marriage bed
It is always put to daily use
But despite the assumption, the quilt does not feel abuse
Years have gone by and the quilt is there
Wrapped up in its beauty it is hard not to stare
Maggie and Mama have stayed close since the fight
But poor little Wangero is nowhere in sight
Maggie still remains highly insecure
And since the fire there has been no cure
The quilt provides comfort there is no doubt
It gives a brand new life to the small, beautiful house
Maggie is grateful for Mama’s strength to fight
Even when Maggie did not think she could sleep through the night
Her intention was not to hurt Dee or get her way
All she wanted was her sister to stay
Dee is long gone but one thing remains
The family quilt draped across the bed unashamed